Movies: Kurt Kren

  • 1968
    Satisfaction

    Satisfaction (1968)

    Satisfaction

    9.51968HD

    An experimental, bizarre and a very different shooting of an association between the sexes....

    Satisfaction
  • 1990
    46/90 Falter 2

    46/90 Falter 2 (1990)

    46/90 Falter 2

    01990HD

    Kurt Kren short...

    46/90 Falter 2
  • 1969
    22/69 Happy-End

    22/69 Happy-End (1969)

    22/69 Happy-End

    01969HD

    Kurt Kren filmed pieces of feature films in the cinema without looking through the viewfinder. The missing sexual climax from the cinema was added by Kren in the form of insights and views from Otto Muehl's Libi Aktion....

    22/69 Happy-End
  • 1969
    23​/69: Underground Explosion

    23​/69: Underground Explosion (1969)

    23​/69: Underground Explosion

    101969HD

    A report about an Underground Festival on tour through Germany and Switzerland....

    23​/69: Underground Explosion
  • 1976
    34/76: Tschibo

    34/76: Tschibo (1976)

    34/76: Tschibo

    61976HD

    This film shows, with the use of single-frames, Kren's diary-like notes from 1968 to 1976, especially his entries about the work on the three previous films. At the very end a fragment of a failed first attempt of Keine Donau (No Danube) is shown. Th...

    34/76: Tschibo
  • 1960
    3/60: Trees in Autumn

    3/60: Trees in Autumn (1960)

    3/60: Trees in Autumn

    6.41960HD

    The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most struct...

    3/60: Trees in Autumn
  • 1975
    31/75: Asylum

    31/75: Asylum (1975)

    31/75: Asylum

    4.81975HD

    A meadow, a lake, the silhouette of a hill, trees. 21 days of the same view in Saarland. 21 days with five different cut-outs in a mask before the camera, which finally reveals a complete panorama. The landscape changes with the advancing seasons and...

    31/75: Asylum
  • 1969
    Scheiss-Kerl

    Scheiss-Kerl (1969)

    Scheiss-Kerl

    11969HD

    Another try by the Viennese actionists around Otto Mühl, trying to shock the middle-class bourgeoisie with all sorts of explicit sexual and excretory processes....

    Scheiss-Kerl
  • 1991
    47/91 A Celebration

    47/91 A Celebration (1991)

    47/91 A Celebration

    01991HD

    A commission by Austrian TV station ORF documenting the anniversary celebration for Kunststücke....

    47/91 A Celebration
  • 1977
    33/77 No Danube

    33/77 No Danube (1977)

    33/77 No Danube

    01977HD

    Kurt Kren short...

    33/77 No Danube
  • 1981
    40/81 Breakfast im Grauen

    40/81 Breakfast im Grauen (1981)

    40/81 Breakfast im Grauen

    91981HD

    Kren in New Hampshire, New England. Together with friends he lived from the demolition of wooden houses and sale of the wood. Kren was the "nail puller". (Hans Scheugl)...

    40/81 Breakfast im Grauen
  • 1996
    50/96 Snapshots (For Bruce)

    50/96 Snapshots (For Bruce) (1996)

    50/96 Snapshots (For Bruce)

    81996HD

    Kurt Kren records snapshots of visitors to Vienna who are photographed in front of the statue of Johann Strauss Jr....

    50/96 Snapshots (For Bruce)
  • 1978
    37/78: Tree Again

    37/78: Tree Again (1978)

    37/78: Tree Again

    5.51978HD

    At the center are takes which do not change - a tree in a field in Vermont, U.S.A. Since the film was shot over a period of fifty days, the single frame shots create a storm of pictures....

    37/78: Tree Again
  • 1968
    18/68: Venecia kaputt

    18/68: Venecia kaputt (1968)

    18/68: Venecia kaputt

    01968HD

    A short film by Kurt Kren....

    18/68: Venecia kaputt
  • 1965
    10b/65: Silver – Action Brus

    10b/65: Silver – Action Brus (1965)

    10b/65: Silver – Action Brus

    4.51965HD

    "Action" by Günter Brus. At first Kren did not want to show the film, because the image is underexposed. A copy of the negative material turned out to be better than the original material and so Kren did show the film. The film's title relates to Bru...

    10b/65: Silver – Action Brus
  • 1979
    38/79: Sentimental Punk

    38/79: Sentimental Punk (1979)

    38/79: Sentimental Punk

    3.51979HD

    'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. ...

    38/79: Sentimental Punk
  • 1964
    7/64: Leda and the Swan

    7/64: Leda and the Swan (1964)

    7/64: Leda and the Swan

    5.21964HD

    Based on a Muehl Happening. The almost convulsive use of juxtaposition reappears here, but the captured gesture assumes a more erotic sensitivity, though the "action" itself was primarily a gradual destruction of the erotic....

    7/64: Leda and the Swan
  • 1995
    49/95: thousandyearsofcinema

    49/95: thousandyearsofcinema (1995)

    49/95: thousandyearsofcinema

    3.71995HD

    The making of pictures becomes the central issue in itself in that, with an analytical single-picture procedure, picture-taking tourists on Vienna's St. Stephen's Place are captured and their faces animated to a dance....

    49/95: thousandyearsofcinema
  • 1969
    Porträtfilm: Kurt Kren

    Porträtfilm: Kurt Kren (1969)

    Porträtfilm: Kurt Kren

    01969HD

    Ludwig Schönherr | Federal Republic of Germany | 1969 | 18 fps | 3'25" | silent...

    Porträtfilm: Kurt Kren
  • 1973
    28/73: Time Exposure(s)

    28/73: Time Exposure(s) (1973)

    28/73: Time Exposure(s)

    21973HD

    A man's head is seen in silent close-up using single-frame shooting and time exposure....

    28/73: Time Exposure(s)