Movies: Tony Conrad

“Coming Attractions” looks backward into the memories and forward into the future of Francis Francine, an elegantly dowdy transvestite of, and indeed beyond, a certain age. The memories, haunted by a Spirit of Seductions Past (played by a quite glori...

Fellow violinist and artist Tony Conrad, in collaboration with software engineer Tom Demeyer, made for Steina the instrument seen in this title. Conrad and the Vasulkas all taught at the University at Buffalo in the Media Study Department from 1976 t...

A deliberately non-synchronous film, shot in 8mm with the sound on tape. Piero Heliczer reads his poem "The Autumn Feast," and the visuals interact with, but does not literally represent, what is read....

If the intersection of desire and authority is phallus, the intersection of absence and vigilance is vagina. The tape’s laconic title (I saw, I conquered—but I didn’t come) encodes its vaginal pretense. In effect, Vidi Vici is a male artist exploring...

“Cycles of 3s and 7s is a doubled statement. First and foremost, it is a commentary on computer art and the role of computers in video. Secondly, its arithmetic project has some bearing on the construction of musical scales. In reclaiming the compute...

A trisection of the spectators’ power over their own image language: word, trance, and command are installed as valences of the artist’s license, revealed as figures of parental authority. How peculiar that people like being an audience because they ...

A Dracula parody where the camera moves to the eye of Count Flickerstein and the image changes to static-like patterns....

Based on the ideas of Russian philosopher, Nikolai Fedorov, Anton Vidokle’s film was shot in Siberia, Crimea, and Kazakhstan. Fedorov, like others, believed that death was a mistake, “because the energy of cosmos is indestructible, because true relig...

The visual track of Weak Bodies and Strong Wills comes from my 1973 film, Enlightenment through Experience: Interim Semester at Albright College. The found film images had been kept in a closet at Albright College, where I was invited to teach a work...

The latest in Marie Losier's ongoing series of film portraits of avant-garde directors (George and Mike Kuchar, Guy Maddin, Richard Foreman), DreaMinimalist offers an insightful and hilarious encounter with Conrad as he sings, dances and remembers hi...

This exquisite single shot is a complement to Combat Status Go. Here the viewer is positioned casually, even though every other element in the film experiences a painful precision: piano, gun, wardrobe; conversation directed at (and across the bow of...

Made out of six patterns of alternating black and white imposed upon the full surface of the film strip....

"Originally intended as one scene in a larger work concerned with the metaphorical destruction of the viewer (through demolition of the camera), Concord Ultimatum unexpectedly became the occasion of the larger project’s demise. In addressing the came...

Four Square is a film designed for four screens surrounding the audience. Through its spatial distribution of abstract image and sound it begins to build up a TIME/SPACE experience where the mental construction of the events do not clearly differenti...

Stroboscopic vertical lines on a loop accompanying minimalist drone music compositions....

A short video by Tony Conrad....

“A theory discourse among three participants, enacted in silhouette.” –Tony Conrad...

“A man, an accordion, a ladder, and a video camera. It’s as simple as that.” - Andrew Lampert...

A young woman, on the brink of sexual awakening, is shocked by the presence of her mother in bed. The imagined presence of the mother's body haunts all further sexual encounters and desire, directing and controlling the scene of passion. Writes Zando...

To make Loose Connection, Conrad built a camera that moved in two directions simultaneously: it could be rolled backward and forward on a waist-high rig made with baby carriage wheels, and it automatically rotated 360 degrees. When he finally develop...